An Accented Cinema - Exilic And Diasporic Filmmaking

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An Accented Cinema - ExiliAnd DiasporiFilmmaking
pdf | 9.39 MB |Author :Hamid Naficy

Book Description :

In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and othedisplaced individuals living in the West. How theipersonaexperiences of exile odiaspora translate intcinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly froone person tthe next, the films themselves exhibit stylistisimilarities, frotheiopen- and closed-foraesthetics ttheinostalgiand memory-driven multilinguanarratives, and frotheiemphasis on politicaagency ttheiconcern with identity and transgression of identity. The authoexplores such features while considering the specifihistories of individuals and groups that engendedivergent experiences, institutions, and modes of culturaproduction and consumption. Treating creativity as a sociapractice, he demonstrates that the films are in dialogue not only with the home and host societies but alswith audiences, many of whoare alssituated astride cultures and whose desires and fears the filmmakers wish texpress.

Comparing these films tHollywood films, Naficy calls the"accented." Theiaccent results frothe displacement of the filmmakers, theialternative production modes, and theistyle. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues tgrow in terms of output, stylistivariety, culturadiversity, and sociaimpact. This boooffers the first comprehensive and globacoverage of this genre while presenting a frameworin which tunderstand its intricacies.

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